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Representational

I make paintings of commercial signs, street signs, telephone poles, and similar elements of our built environment partly because these are so ubiquitous and familiar that we tend to take their presence for granted even though we depend on them in our day-to-day lives. Signs guide us to our destinations or indicate where we can obtain necessities such as food, energy, and lodging, while the core infrastructure represented by telephone poles makes possible the online world on which we have come to depend.

To me, these images are rich in allusions and metaphors relating to our civilization and the connections between us, including our cultural and industrial history. That said, I do not necessarily seek to comment on our way of life through these paintings. My own primary interest is decidedly more painterly. Regardless of the proximate subject, my paintings are explorations of the relationships between light and shadow, figure and ground, color and space. I seek to capture a mood, a moment in time, and all the underlying allusions and metaphors are there to support that aim.

Most of the older telephone pole paintings you see here were made standing on the lawn in front of the building I lived in at 810 Farmington Ave. in West Hartford, CT. Many of the cloud studies and some of the telephone poles were painted alla prima (that is, started and finished in one session). Most represent what I was seeing in the sky at the time.

The actual telephone poles are the ones along what was my street when I lived in West Hartford. Hence the titles, such as West of 810 Farmington Ave., At 810 Farmington Ave., and East of 810 Farmington Ave.

Why paint skies and telephone poles? I'm really not interested in painting the office building across the street, the Chinese restaurant, or the flower garden in the front yard. I am always looking at the sky - it's a show of beauty that changes constantly and never gets old. It's always there, no matter where you go. I do see a lot of things up there that I could never paint because they simply wouldn't be believable on canvas. But there's still plenty to work with most days.

Cloud Study

As for the telephone poles, each has its own unique personality. They come in an endless variety of crossbeam configurations, with different types and sizes of insulators, turnbuckles, transformers, streetlights, footpegs for the linemen, coils of coaxial cable, and mysterious devices whose purpose is unknown to me. Moreover, they present interesting technical challenges to me as a painter and enable me to capture a wide variety of moods through the use of light and shadow, color and tone.

Also at 810 Farmington Ave.