Bruce Mitchell
Durham, NC

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I was born in Worcester, Massachusetts in 1961 and have lived in North Carolina since 2003. I was trained as a draftsman at a trade school, where I learned the fundamentals of drawing. Almost everything else I know about painting I've figured out for myself by working at the easel, which I've been doing since 1980. I paint full time in my Durham studio. Most of the work I do now is photorealism, done by hand using oil paint and brushes.

Bruce Mitchell

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Artist Statement

My paintings are about being in this world at this time. For me this means living in the built environment most of the time, and that is the proximate subject depicted in most of my recent representational works. I make paintings of commercial and street signs, utility poles, buildings, vehicles, and other elements of our environment partly because these are so ubiquitous and familiar that we tend to take their presence for granted even as we use them in our day-to-day lives. Signs guide us to our destinations or indicate where we can obtain goods and services, while the core infrastructure represented by utility poles makes possible the online world on which we have come to depend.

Our built environment and the ways we interact with it are constantly being transformed. This ongoing transition to new and different ways of living is being documented in remarkable detail using new media as well as old media. My paintings are a part of that dialogue. A painting has a lasting physical presence. There's nothing like oil paint to capture the now for the ages. To me, these paintings are rich in allusions and metaphors relating to our civilization and the connections between us. My own interest is often more painterly. Regardless of the proximate subject, my paintings are explorations of the relationships between light and shadow, figure and ground, color and space. Ultimately, I seek to create oil paintings that are capable of evoking an emotional response. Their physical properties, as well as the allusions and metaphors, support that aim.

My recent abstract paintings belong to a series I've been working on for over a decade. Their stylistic precursors date back to the early '80s, most notably a vocabulary of forms I developed in making hundreds of drawings on paper

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napkins. The central themes are ambiguity and play. The forms have no overt models in the real world, yet they frequently resemble objects. The forms lack any shading to suggest 3-dimensional shape. Thus, any impression of depth comes from the contrasting colors, the contours of the forms, and their relationship to each other and to the background. The absence of real-world references also introduces ambiguity about scale; the forms could be any size from microscopic to monumental. The viewer is drawn in by the lively colors, then engages in puzzling over what the forms might represent, their scale, and the depth of the picture plane. In this way, the fun of making these paintings is shared with the viewer.

Featured in the premiere issue of ArtSync: The Art Magazine of North Carolina

Available March 2, 2009

Selected exhibitions

Durham Art Guild - CCB Gallery 120 Morris St. Durham, NC 27701	Unscene: Works by Bruce Mitchell and Joanna Welborn March 5 - April 7, 2010
Somerhill Gallery The Venable Center 303 S Roxboro St. Durham, NC 27701	Light and Shadows: A Group Exhibition July 17 - August 28, 2009
Bill Hester Fine Art 143-F Franklin St. Chapel Hill, NC	Carolina Semiotics Solo show June 2007
Umstead Hotel & Spa Cary, NC	Picture This - Invitational Art & Photography Exhibit to benefit Prevent Child Abuse North Carolina April 14, 2007
Bijou Cinema 110 Front Street Worcester, MA 01609	Solo Show April 4, 2003 - April 28, 2003
New City Art Gallery 116 Pleasant Street Easthampton, MA 01027	"Small Works Invitational" December 1, 2002 - February 1, 2003
West Hartford Public Library 20 South Main Street West Hartford, CT 06107	Solo Show January 3, 2002 - February 28, 2002
Barrett Art Center 55 Noxon Street Poughkeepsie, NY 12601	"New Directions '02" October 26, 2002 - November 23, 2002 Juried by Joan Young, Curator of Contemporary Art at the Guggenheim Museum of Art NYC
C.C. Lowell 258 Park Ave Worcester, MA	Solo Show December 2000 - January 2001 See review from The Worcester Phoenix
Pump House Gallery Bushnell Park Hartford, CT	Juried show, 1997 National Arts Program National Endowment for the Arts
Worcester Artist Group Worcester, MA	Solo show, 1989
Atwood Gallery 69 Hammond Street Worcester, MA	Group show, 1989
Gallery 35 35 Institute Road Worcester, MA	the pARTy (Group show), 1987
Grove Street Gallery 100 Grove Street Worcester, MA	Various juried shows, 1983-1987

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